Category Archives: Photography Tips

Storyboard – Time Saving Photoshop Plug-In for Photographers

 

I recently purchased a Photoshop add-on called Storyboard by  Code and Hustle, a company based out of Canada. What Storyboard does is it creates diptychs out of multiple images to create a storyboard style blog post. Pretty much all of my session blog posts are in this format, so as you can imagine, I do this a lot. I had been using a template combined with some custom photoshop actions to create my storyboards previously but this was very time consuming.

I finally decided to take the plunge to purchase Storyboard and it was brilliant. It cut my storyboarding time by a significant amount. The only thing it couldn’t do out of the box was add a watermark logo  during the diptych creating process. I would have to go back in to the finished diptychs and add the logo after the fact. Not efficient enough for me. After tweaking around and creating my own watermarking action, I was able to add it to the Storyboard process so it creates my final product in one fell swoop. The following is a step-by-step guide on how to do it:

The first step is to create a new Photoshop action in the Actions window. I’ve created a folder for some of my custom actions that are used frequently.

Next, name the action. In this case I’ve chosen to name it appropriately as “Storyboard Watermark.” Once you select Record, you can begin creating the action.

All you have to do is have an image open already in Photoshop and drag and drop your watermark from your watermark folder onto the open image. This creates a “Place” action that will remember the folder location and the name of the file you placed, in this case I use my logos folder. Click the Stop icon to stop recording the action. Next, select the “Toggle dialog on/off” switch on the “Place” row in your action.

This tells Photoshop to pause the action and to wait for your input. Doing so allows me to select one of my different logos on the fly if I need to. More specifically, it allows me to select between my black logo and my white one for each diptych. You’re done!

In the Storyboard Configuration window under the General tab, check the “Run the following action before saving” checkbox. Then navigate to the appropriate Action Set and select your watermark action.

This is what it looks like when you run Storyboard with the action activated. It first allows you to select any file to use as a watermark. I use transparent PNG’s and have different iterations of my logo. The action allows you to resize and move the logo. Once you hit Enter, Storyboard finishes the process and creates your final image.

Ta Da! This action works great with Storyboard’s Loop mode which is exactly what I needed, a fast and easy way to crank out a blog post. I would say it’s cut down my time from about 20 minutes to compile a blog using my old combination of templates and actions to about 3 minutes. I just export the individual images from Lightroom into a folder and then use Storyboard to process them all. Easy peezy.

Take time every day to laugh, to think, to cry

Photography, much like life, comes down to the choices you make. Don’t worry, I’m not going to get all existential on you, all I’m saying is that any time I take my camera out of my bag, I have a decision to make. What separates the good photographer from the great one is the knowledge and experience of knowing when and how. Filter… or no filter? (see below) That’s why I’d like to share one of my favorite quotes by Mary Schmich: “Whatever you do, don’t congratulate yourself too much or berate yourself, either. Your choices are half chance, so are everybody else’s.”

If you’ve ever seen me while I’m shooting, half the time I have no idea what I’m doing. The other half, I REALLY don’t know what I’m doing. But I feel the reason I succeed is that I’m not afraid to fail. If at first you don’t succeed, try try again, right? This applies to anything in life you find difficult or challenging or when things just seem like they’re not going your way. Jimmy Valvano said it best when he gave his famous speech at the ESPY’s in 1993 “Don’t Give Up, Don’t Ever Give Up.” If you haven’t heard his speech, do yourself a favor and take the time to watch the video. I promise, dust will spontaneously appear in your eyes.

Capturing exploding rockets

It’s been a while since I’ve posted any tips so I figured I’d better get my butt in gear. My fireworks pictures received quite a bit of attention so I’m going to let you in on the “secret” to great fireworks images.

The first thing I like to do is scout for a location. I need to figure out where the fireworks are going to be set off and plan what I want my final image to look like. Setting up for composition will be way easier during the day and before the crowds start to gather. What do I want in the foreground? What do I want in the background? Do I need a wide angle lens or a telephoto? Each shot is going to be unique so you’re going to make those decisions before the show.

Equipment you need:

  1. Camera (well duh)
  2. Tripod
  3. Cable Release
  4. ????
  5. Profit!

You can shoot fireworks with pretty much any camera as long as you can manually adjust the aperture and shutter speed. You’re going to want a large depth of field to get as much in the plane of focus as possible. An f-stop of f/8 – f/11 has worked very well for me. What shutter speed should you use? Well that depends on how many fireworks have been set off while the shutter has been open. Leave it open too long and you’ll get a white blob of light. Close it too soon and you’ll have a lonely sprite. Mostly, it takes practice and a lot of trial and error before you figure out the optimal shutter speed to get the right amount of explosions in your exposure. Some of my best exposures were over 30 seconds long but those were during the middle of the show when they were more spaced out. The image below has about five explosions so I had to wait until five blasts went off before I could close the shutter. I didn’t even bother shooting the grand finale because there were just too many explosions in a short amount of time.

Good luck and don’t forget to enjoy the show!

Patience: Man who catch fly with chopstick accomplish anything

Miyagi: Man who catch fly with chopstick accomplish anything.
Daniel: Ever catch one?
Miyagi: Not yet.

So I haven’t blogged in a while since I’ve been back because I’ve been trying to catch up with life and family. There are a few travel photography tips that I’ve been meaning to share. I’ll be posting about a couple of tips and techniques that I used on my trip to Japan and how they helped me to create the best possible images given the opportunities that were afforded to me.

The first tip is have patience. Benjamin Franklin once said that “He that can have patience can have what he will.” There are photographers that have waited 12 years to get the perfect shot. Scott Bourne had a specific image in mind when he created “Cranes in the Fire Mist.” I’m certainly not suggesting that anyone wait that long to take a picture but I will suggest that you wait a couple of minutes for the other tourists and sightseers to leave the scene so you can get a pure shot of the monument or site you are visiting. The shot above was taken along the Philosopher’s Walk in Kyoto. There were many other people around and I do have some shots with folks looking at the shrine. What I noticed is that I was standing in between two groups of tourists and if I waited for the right time, the first group would move on before the next group could make it into the shot. I would only get about 45 seconds of this unobstructed view so I was patient and waited for the opportunity.


Patience applies to all forms of photography. Whether it’s shooting wildlife, sunsets, children or weddings, patience can be the difference between a good shot and a great shot.

~Tony Llerena Photography~

Suitable for children of all ages

So I have a confession to make. I’m going to let you in on my little secret for photographing children. Here it goes. The secret is… the child is in charge. I have little to no control over what they do or where they go. I most certainly can’t make a 2 week old nap on cue or a 3 year old stay still and smile.

When photographing any young child you have to get to know them first. They need to trust you. In most cases, I’m meeting the child for the first time. Children shoots usually go one of two ways. The first type is where the child is very shy and won’t really take guidance or smile for about the first half hour until he/she/they warm up and begin to trust you. The second type is where the child is extremely happy and cooperative to start for the first half hour and slowly start to get a little cranky.

I have several techniques that I use to keep a child involved and more importantly interested in me. One technique is to find something they want to do it and follow them, even participate. This builds trust.

Having three children myself, I’ve got tons of experience with little ones and I’ve never seen a child turn away an adult that wants to play, especially if mommy or daddy say it’s ok. Second have them burn some of that excited energy off. Tell them to run to a certain point and see how fast they can run back. It makes for cute opportunities because they’ll typically laugh and smile. The last tip I’ll give is to relax and take a break. Let the child be for a little while. Maybe you want to take the opportunity to take candids at this point or just observe them for a few minutes.

Any way you look at it, the child will dictate the tone and pace of the shoot. The beauty of these tips are that they works just as well for taking pictures of your own kids as well as those of your friends and families.

- Tony Llerena Photography

Just shoot it! Five reasons to go outside right now with your camera.

So I had a busy week and I’m feeling a little burnt out, right? Who hasn’t felt like that? It’s Friday, Friday and I get home and I need to unwind. After hugs and kisses from the family, I need a fix. Here’s why I go out to shoot even if it’s just around your house :
  1. Therapy – Photography for me is very theraputic. Whenever I get a great shot, I get a rush of endorphins from a sense of accomplishment. I literally feel happy. (Yes, I know the difference between literal and figurative) 
  2. Practice – Like any skill, photography is something that you need to work at to get better. Having trouble nailing that focus while at that event? How about getting the right exposure at that picnic? No? Then why don’t you take the time to develop those skills when you don’t have to annoy people trying to figure out why the image came out so dark when they’re back lit.
  3. Experimentation – For me, one of the more daunting things to remember is how to gauge how far my minimum focusing distance for each of my lenses. This is the time where I can try to push each lens to the limit and develop some depth perception memory so I can take better shots more quickly. Most SLRs will not fire when autofocus is on if it can’t get focus so knowing how far is just far enough can make the difference between getting the shot or cursing.
  4. Learn how your camera sees – Depending on the focal length you choose, your image can look entirely different. Try shooting something at 200mm and then try shooting the same object at 18mm. Is there a difference? Neither is right or wrong, they are artistic choices that you need to make when creating an image.
  5. Think different – I try shooting objects and subjects that others would probably walk right by on a photo walk. One of the challenges that I’ll give myself is “how do I make this ordinary object interesting?” I’m always amazed at the creativity that I come across on other photographers’ pages. They make Legos come alive and the real seem surreal. Each one of us sees the world in our own unique way. How can I show you what I see?

In summary, these are a few of the things that I try to do on a regular basis to try to improve. What are you doing?

    Fish are friends, not food.

    “Well, you never really know, but when they know, you know, y’know?” – Crush

    So it’s time for a new tip and today’s tip boys and girls is how to get a good image at an aquarium or zoo or any other location that has glass between you and the subject. You know the funny thing about glass? It reflects light! Especially when the other side of the glass is darker than your side. Ever seen those one way mirrors at the police station? You have?!? For shame.

    So back to photography. At all costs, try not to use your flash. The flash will just about always bounce right off the glass and right into your lens. The same principles apply as shooting in a dark location. As far as camera settings go, you should choose a large aperture and high iso in order to get the fastest shutter speed with the given light. This would be a situation that you might want to use the shutter priority setting on your camera if you have it. That’s the Tv setting for Canon shooters. Pick a shutter speed that allows you to stop motion and let the camera do the rest of the work.

    So now your saying, “Tony, I took your advice and did all that but my images are STILL blurry!” Well, you’re in luck. If you absolutely have to use flash, here’s a little trick I learned. You ready for it? Here it goes. Press your lens right up against the glass. That’s it! Basically, if the lens is right up against the glass, it might as well be part of the glass and thus no way for the flash to bounce back into your lens. Don’t believe me? Try it out. Go to the nearest window of your house, take one picture a couple of feet away from the window with the flash and another one with the lens against the glass. Try it out and let me know how it goes.

    Tony

    Please, make yourself comfortable.

    Have you ever seen a picture of someone that obviously didn’t want their picture taken or gave a forced smile? That never happens, right? Well I believe that people that are most “photogenic” are the ones that relax and are natural in front of the camera and don’t just act it.

    Want better images? Relax, have fun. The camera looks both ways so if you as the photographer are stressed and anxious, the images are going to suffer for it.

    Should I let you in on my little secret? Shhh, let’s keep this between us. Ok, well my big secret is… I love to make people laugh. Phew, that’s a relief. I’ve been known to make jokes even at inappropriate times but that’s just who I am and how I deal with stress, even if the joke is at my own expense. Laughing is healthy and it also makes for a great natural image.

    Laugh, and the world laughs with you:

    -Ella Wheeler Wilcox

    So brush up on your jokes and put on a happy face! I’ll get you started:

    • The quickest way to make money at photography is to sell your camera!
    • How does Santa Claus take pictures?
      With his North Polearoid.
    • A fellow bought a Labrador puppy from the pet store and named him Kodak.
      That way he could say he owned a Kodak lab.

    Take a hike!

    I know how difficult it can be to take beautiful images while on vacation at a location you’ve never been to before and may never visit again. These “once in a lifetime” opportunities can be pressure to get  a good shot once and forever. I had the great fortune of visiting Greece a couple of years ago when I was really starting to get into photography and learning the fundamentals of a good image. I’ve read that the first time you visit a location, it’s alright to leave the camera behind or to take the standard tourist snapshots. But what if your first time is your only time? Well, the best tip I can give you is to have patience.

    We visited the Parthenon towards the end of our trip. There are three words that I can use to describe the visit: magnificent, hot, crowded. I stood before one of the seven wonders of the world and it’s almost incomprehensible to think that this structure was built in 432 BC and is still standing. Everyone, and I mean everyone is taking the same exact picture with hundreds of tourists in the foreground. How do I create an image where it looks like I’m the only one there? I wait. Even heavy traffic gets a break at some point. This was probably the only 1/2000th of a moment that no one was standing between me and the ancient temple and I’m glad I remembered to take the lens cap off!:)

    The next site we visited was King Leonidas‘ memorial site at Thermopylae. I had recently seen the movie 300 so I was particularly interested in visiting the ancient battle ground. Again, there were quite a few tourists there so I might have to wait again to get the shot. But wait, what’s this? There are quite a few power lines running right behind the monument! Boy do those stand out and look ugly.

    Trying to photoshop them out later would be a nightmare since they run the length of the image, not to mention the gradiation of the sky would make it near impossible to make it look natural. So what do I do? I walk around to see if there’s another angle. I’m pretty sure you’re not supposed to go behind the monument because there are shrubs lining the back of it. Oh well, I decided to take a gander anyway and lo and behold I found a great angle where there weren’t any unsightly objects. Turns out that this image of King Leonidas’ monument is one of my favorite travel photographs to this day.

    The next time you’re in Greece or any other exotic location remember these two tips at any popular tourist attraction:

    1. Be patient and wait for your shot. People will eventually move out of the way.
    2. Walk around and don’t take the same shot everyone else is taking. You may end up being the one that knows something that no one else knows.

    My lens has a sweet WHAT?!?

    So the discussion came up in my photography class this past weekend about the “sweet spot” of a lens. I guess I take for granted sometimes that aperture and depth of field are photography concepts that take a while to fully understand. It wasn’t that long ago that I didn’t know my aperture from a hole in the wall (bad pun intended).

    An aperture is literally “a hole or an opening through which light travels.” Nothing more, nothing less. The amount of light let through the opening in a lens is defined by aperture stops or f/stops. Each f/stop down allows exactly 50% less light to pass through the lens onto the camera film or sensor.

    A basic understanding of aperture is required to understand why a lens has a sweet spot. Basically all lenses are different in terms of quality and build but a good rule of thumb is that the sweet spot, or sharpest aperture, of any lens is typically one to two f/stops down from the lens’s maximum aperture. This doesn’t mean that you can’t shoot at the maximum aperture but the image will be noticeably sharper stopped down. The more expensive a lens is, the closer the sweet spot is to its maximum aperture.

    Here are some resources on the subject:
    B&H Insights
    Digital Photography School
    Digital Shot

      F a c e b o o k
      T w i t t e r